I’ll discuss Squeeze’s song Cool for Cats and what makes it great in this article. Chris Difford and Glenn Tilbrook both have strong vocals, and their arrangements have been praised by critics. If you’ve never heard them before, you’ll be glad you read this! You can also learn more about them. If you like rock music, you should know about their Cool for Cats album.
Squeeze
Squeeze’s Cool for Cats is worth a try if you’re looking for a mellow pop album. The band’s first album was a hopped-up, bouncy affair. Still, their sophomore effort features murky production and a more sophisticated approach. Here are some of the best songs on the album. They’ll make you want to dance along to the songs while providing an excellent backdrop for your music video.
After a disappointing debut album, Squeeze quickly rebounded. The band worked with producer John Wood, responsible for the U.K. Squeeze sound this time. Cool for Cats captures the popcraft of Chris Difford while sketching new musical territory for the band. It draws heavily on ’60s pop, stripped-down pop/rock, and the nerd style of the new wave but is less chaotic and aggressive.
The second single from Squeeze’s Cool for Cats album, “Cool for Cats,” featured a rare lead vocal performance from Chris Difford. Difford had sung lead on two of the band’s previous singles, Slap & Tickle (1979) and Love Circles (1989). The single was a slight edit of the album track. However, the song remained a hit and earned the group a place in pop history. The music has even become the title of a popular UK television show from the 1950s and 60s.
Squeeze was a new wave band formed in 1978 and became an integral part of British music. With numerous hit singles, Squeeze quickly established itself as a staple of British music. Their second single, “Cool For Cats,” reached No. 2 on the UK Singles Chart in 1979. The song stood out among their albums with breezy harmonies and melodic caress.
Squeeze’s Cool for Cats album
The first three Squeeze albums trace the band’s evolution from a diamond-in-the-rough punk outfit to a polished new-wave outfit that effortlessly produces catchy masterpieces. The album “Cool for Cats” is one of Squeeze’s best and most underrated albums. The album captures Chris Difford’s pop craft and sketches unique musical territory for Squeeze. The band draws heavily from ’60s pop, the stripped-down energy of pop/rock, and the nerdy style of the new wave. The album is, however, less chaotic and aggressive than Squeeze’s wildly successful debut.
The second album by Squeeze, “Cool for Cats,” was released in 1979. The album features four hit singles from the UK, more than any other Squeeze album. The album peaked at number 45 on the UK Albums Chart, where it spent 11 weeks. It is also one of the few Squeeze albums to feature a lead vocal performance from Chris Difford, which was a first for the band.
The opening track, “Goodbye Girl,” is a gorgeous ballad with a melody that would become Squeeze’s trademark. The album closes with the punk-rock title track. The album is Squeeze’s best and most enduring album. It is hard to find a single song that doesn’t have some recognizable Squeeze sound. You can hear the influence of their influences in the title track.
Squeeze’s second album, “Cool for Cats,” showcases a more sophisticated approach to pop music. The band’s first album was somewhat scattershot, with a few songs that made the charts, but Cool for Cats fulfilled their potential. And while Cool For Cats isn’t their best album, it still stands as a classic, full-bodied pop record.
Squeeze’s Chris Difford
The Squeeze sound was born in the late ’70s. The quintet’s songwriting team, which included Chris Difford and Glenn Tilbrook, created a catalog of pop songs that have become synonymous with the English scene. The band’s sound evolved from punk to New Wave, and although they have gone through two hiatuses and rebirth, their work has consistently charted in the UK’s Top 40.
Squeeze’s last album, ‘Frank,’ was an album of relative disappointment. The band was split up when their bassist and drummer quit, causing their records to fall flat. Their longtime label, A&M, sacked the band and continued with new collaborators, including Glen Tilbrook and Jools Holland. Although Jools Holland played an excellent piano part on this album, he lacked a solid lyrical quality.
The sonic quality of the album is outstanding. The groove is superb, but the song loses its track in the middle of the song. The jazzy bit has the hand of Holland and Lavis, and it builds tension while erasing the rhythm. The music is so catchy that dancers might even give up after losing the rhythm. Still, a cymbal crash and piano outro bring the song back to life and push it over 3 minutes.
Although the band is not the next Beatles, Squeeze did give the Kinks a run for their money. Although only Difford and Tilbrook remain from the original line-up, the other band members, Holland and Lavis, form a breakaway partnership. This group has undergone many line-up changes over the years and had to re-record a few songs due to snafu.
Glenn Tilbrook
Despite their clumsy debut, Squeeze recovered and released two albums that proved to be a roaring success. The pair of Chris Difford and Glenn Tilbrook have crafted English pop songs that have dominated the charts for the past thirty years. Glenn Tilbrook’s second solo effort, ‘Cool For Cats,’ captures the popcraft of Chris Difford and sketches out a musical territory that is uniquely Squeeze. It draws heavily on ’60s pop, stripped-down energy of pop/rock, and the nerd new wave style but is less raucous and aggressive than Squeeze’s earlier albums.
While Chris Difford sings half of the song and narrates the other half, the album captures the spirit of the typical young British male. While Chris Difford only sang two Squeeze singles, his singing is vital to the record, as it portrays a British young man’s standard, stereotypical behavior. Glenn Tilbrook writes most of the songs for the group, and Paul Carrack sings lead on ‘Tempted.’
Chris Difford and Glenn Tilbrook were part of Squeeze from 1971 to 1982 but split. Difford joined a band called Squeeze, and Glenn joined in. The two were soon reunited, with the band playing a few concerts. Glenn was also 18 years sober at the time. The band was popular in the UK, and “Cool For Cats” eventually climbed into the top five.
Tilbrook’s career with Squeeze was long and fraught with controversy, but it paved the way for his solo career. He found a new passion for music, started his own record company, and started touring on his own. After a brief hiatus, he reconnected with audiences around the world. Then he released ‘Tilbrook is Cool For Cats’ and ‘Cream.’